The tenor aria, "Komm, Jesu, komm zu deiner Kirche" (Come, Jesus, come to Your Church), is accompanied by the violins and violas in unison. It is written in the rhythm of a gigue, and the combination of voice, unison strings and continuo gives it the texture of a trio sonata. Dürr comments that the use of the unison string ritornello, played even during the vocal passages, provides a "rather pointedly strict and unified character". The musicologist Richard Taruskin comments: "This hybridization of operatic and instrumental styles is ... standard operating procedure in Bach's cantatas."