Kuukou推出了来自泰国出生、现居柏林的Nakadia的新作品，她在高产的封锁期中创作了三首紧凑的模块化音乐。 《Wild Girl》是Nakadia的首个100%模块化制作，这是一首将各种创意拼接而成的庞大作品，充满了大房间的戏剧感。底特律风格的节奏被强劲的低音牢牢固定，锯齿状的音效在节奏中爆发并装饰着旋律。整体氛围热烈、充满活力，极具趣味。 《Pleasure Me》的“Groove Mix”以简约的方式展开，但同样能够让音响设备震动。强烈的低音为一系列灵活的金属音色提供了支撑，长时间的高压间奏考虑到了宽广的空间和满场的氛围。 《Pleasure Me》的“Rave Mix”则是一个更为激昂的版本，配有更厚重的鼓点，节奏稍快。震撼的合成器为充满电力的间奏增添了色彩，展现出Nakadia独特精神的令人满意的总结。 Next up on Kuukou is an release from Thailand born, Berlin based Nakadia who shares the fruits of a highly productive lockdown in the form of a trio of tight, modular bombs. 'Wild Girl' is Nakadia's first 100% modular production; a patchwork of ideas stitched into a monstrous cut brimming with big room drama. Detroit-coded rhythms are pinned to the floor by a suction sub bass while serrated sonics burst and decorate the groove. The vibe is hot, intensely lively and eminently fun. The 'Groove Mix' of 'Pleasure Me' rolls out in a slightly more skeletal fashion but is equally guaranteed to rattle rigs. Another throbbing sub acts as a ballast for an arsenal of flexible, metallic tones. A long, high-pressure breakdown is stretched out with large spaces and full floors in mind. The 'Rave Mix' of 'Pleasure Me' is a more galvanised version, armoured with thicker drums set to a slightly quicker pace. Shuttering synths colour a wide-eyed breakdown that snaps with an electric intensity that caps off a satisfying encapsulation of Nakadia's inimitable spirit.